Tag Archives: Race
The Anthropoliteia #BlackLivesMatter Syllabus, Week 31: Adia Benton on Public Health, Ebola and Black Lives on Both Sides of the Atlantic
The editors of Anthropoliteia are happy to continue an ongoing series The Anthropoliteia #BlackLivesMatterSyllabus Project, which will mobilize anthropological work as a pedagogical exercise addressing the confluence of race, policing and justice. You can see a growing bibliography of resources via our Mendeley feed. In this post, Adia Benton discusses public health, Ebola, humanitarian aid, care, militarism, and evaluations of Black Lives on both sides of the Atlantic.
I teach courses in African studies and global health that focus on political economy, history and power. No matter the course content, I find that I have to undergo and perform several kinds of (dis)orientations with students: together, we destabilize dominant frames for talking, writing and learning about the African continent (for example, how does ‘race’ matter there); we identify what is “critical” about “critical approaches” to public health and biomedicine; and we interrogate what it means to study and ultimately work in the fields of public health and medicine, as this professional terrain shifts on a tension that pits rhetorics and practices of safety and care against those of security and discipline. Continue reading
The Anthropoliteia #BlackLivesMatter Syllabus, Week 30: Savannah Shange’s Key & Peele Mix Tape Because Laughter Keeps Us Honest
The editors of Anthropoliteia are happy to continue an ongoing series The Anthropoliteia #BlackLivesMatterSyllabus Project, which will mobilize anthropological work as a pedagogical exercise addressing the confluence of race, policing and justice. You can see a growing bibliography of resources via our Mendeley feed. In this post, Savannah Shange uses comedy sketches by Key and Peele to enrich classroom discussion around race, masculinity, racism, anti-blackness, and affect.
In my undergraduate courses on race and racism at a PWI, my students were largely a self-selected, social justice-minded group who sought sanctuary from their apolitical, Continue reading
The Anthropoliteia #BlackLivesMatter Syllabus, Week 29: Courtney Morris For Black Boys Who Look Blue
I’m not sure anymore
Just how it happened before
The places that I knew
Were sunny and blue
I can feel it deep inside
This black nigga’s pride
I have no fear when I say
And I say it every day:Every nigga is a star
Every nigga is a star
Who will deny that you and I and every nigga is a star?
-Boris Gardner
Moonlight opens with the rich and soulful strains of the Jamaican soul singer, Boris Gardner’s R&B classic, “Every Nigga is a Star” as Juan, a young man, slowly pulls up in a sky-blue Cadillac to a derelict apartment building in Miami. Continue reading
The Anthropoliteia #BlackLivesMatter Syllabus, Week 28: Michelle Stewart, Towards Accomplices not Allies—in the Classroom and the Streets
The Anthropoliteia #BlackLivesMatter Syllabus, Week 26: Sameena Mulla on Missing Black Girls and Women
The editors of Anthropoliteia are happy to continue an ongoing series The Anthropoliteia #BlackLivesMatterSyllabus Project, which will mobilize anthropological work as a pedagogical exercise addressing the confluence of race, policing and justice. You can see a growing bibliography of resources via our Mendeley feed. In this post, Sameena Mulla notes contributions to the recent discussions about missing black girls (with thanks to Leslie Wingard).
If you take anything away from this post, it should be to read Eve Dunbar’s article, “On Gwendolyn Brooks and Disappearing Black Girls.” Dunbar writes:
In Washington, DC, the city currently home to America’s least popular president ever, the mainstream media “broke” the story that a rash of black girls had gone missing. Social networking platforms circulated hashtags and headlines speculating the girls had been abducted and forced into sex work. Others worried the girls were dead. The police countered all theories by assuring local and national worriers that these missing black girls were merely runaways. Continue reading
The Anthropoliteia #BlackLivesMatter Syllabus Project, Week 25: Kevin G. Karpiak on the banality of police violence

Desk of a Police sergeant in Munich, Germany © Wikimedia Commons
The Anthropoliteia #BlackLivesMatter Syllabus, Week 23: April Petillo on Being an Arrivant in the Classroom
The editors of Anthropoliteia are happy to continue an ongoing series The Anthropoliteia #BlackLivesMatterSyllabus Project, which will mobilize anthropological work as a pedagogical exercise addressing the confluence of race, policing and justice. You can see a growing bibliography of resources via our Mendeley feed. In this entry, April Petillo discusses stream of conscious Blackness, colonial unknowing, and academic realness.
Image: Charles White’s “Awaken from the Unknowing” (1961).
I have been thinking about Blackness. Continue reading
The Anthropoliteia #BlackLivesMatter Syllabus, Week 22: Beatrice Jauregui on Humanity, Intersectionality, Inclusion
This essay continues in the vein of scholars in this series whose contributions have highlighted the transnational reach and localized complexities of the Black Lives Matter movement and its conditions of possibility, including Faye Harrison, Jaime Alves, Noah Tamarkin and others. It questions concepts of humanity, intersectionality, and inclusion by mobilizing scholarship and public engagement around racialized and postcolonial police violence from a multi-sited (and perhaps not intuitively linked) location: Canada-cum-India. Continue reading
The Anthropoliteia #BlackLivesMatter Syllabus, Week 21: Maurice Magaña on Seeing Race and Citizenship in the U.S. through Ava Duvernay’s 13th
The editors of Anthropoliteia are happy to continue an ongoing series The Anthropoliteia #BlackLivesMatterSyllabus Project, which will mobilize anthropological work as a pedagogical exercise addressing the confluence of race, policing and justice. You can see a growing bibliography of resources via our Mendeley feed. In this entry, Maurice Magaña discusses seeing race and citizenship through Ava DuVernay’s documentary film, “13th.”